The Catalyst

Hollywood Undead

Hollywood Undead

Butcher Babies, Demrick

Mon, October 23, 2017

Doors: 7:00 pm / Show: 8:00 pm

The Catalyst

Santa Cruz, CA

$25.00

Off Sale

This event is 16 and over

Hollywood Undead
Hollywood Undead
The number five holds a deep significance.

We have five senses. Five points adorn a star. Five represents man in theology. For the five members of
Hollywood Undead—Johnny 3 Tears, J-Dog, Charlie Scene, Funny Man, and Danny—the digit perfectly
encapsulates their fifth full-length offering—FIVE [Dove & Grenade Media/BMG].

“We’re five brothers, and this is our fifth record,” affirms Johnny 3 Tears. “Nothing gets to the essence
of the music like this number does. Numerology has a lot of power. When we said Five, it just made
sense. The fact that we could all agree on one word codifies who we are. It also nods back to ‘No. 5’
from our first album, because it was our fifth song. Moreover, it hints at this secret society of fans
supporting us for the past decade. The number is significant, and this is a significant moment for us.”

It’s also a moment that the Los Angeles band has been working towards since the release of their RIAA
platinum-certified 2008 debut, Swan Songs. Along the way, the group’s unmistakable and inebriating
distillation of rock, hip-hop, industrial, and electronic incited the rise of a bona fide cult audience
comprised of millions. For the uninitiated, think Trent Reznor producing Enter The Wu-Tang Clan – 36
Chambers in 2020, and you’re halfway there…Quietly infecting the mainstream, their 2011 sophomore
effort American Tragedy went gold and bowed at #4 on the Billboard Top 200, while 2013’s Notes From
The Underground seized #2. In 2015, Day of the Dead spawned another smash in the form of the title
track, which amassed 21.1 million Spotify streams and 17 million YouTube/VEVO views. Known for
atomic live performances, the quintet regularly sells out shows around the world from Massachusetts
and Miami to Moscow and Manchester. They’ve toured alongside the likes of Avenged Sevenfold, Korn,
and Stone Sour in addition to notching features from Billboard, Rolling Stone, Alternative Press,
Revolver, and more.

2016 saw Hollywood Undead unfurl the next chapter of this saga. For the first time, the band found
itself free from the major label system. They launched their very own imprint Dove & Grenade Media
and forged a strategic alliance with BMG. That independence became a cornerstone of the creative
process behind Five.

“This time around, we took matters into our own hands more as a band,” says J-Dog. “We did more
writing and producing ourselves. We were more hands-on than ever before. We realized that nobody
knows our music better than we do. When we made this record, we didn’t have to think as much. We
could go with our hearts more. It’s a group effort. One or more members put their blood, sweat, tears,
and soul into every song. We took the reins of our own destiny.”

“We had complete creative control,” Johnny 3 Tears continues. “BMG is a partner with us. We’re
working together. They saw our vision. It wasn’t about pandering to anyone or having to write a hit
single. Because everything fell on our shoulders, we really held ourselves accountable. Also, now that
we’re an indie band, we might finally get some of that hipster pussy.”

…Time certainly hasn’t softened their sense of humor, nor their edge for that matter—only sharpened
both. Five bursts out of the gate with the opener and first single “California Dreaming.” Powered by
neck-snapping guitars and fast and furious bars, the song cycles between guttural rapping and quick
quips. Everything culminates on the choral chant “We never sleep, in California we’re dreaming.”

“It dissects both sides of California,” J-Dog reveals. “You’ve got the glitz, glamour, sun, and surf. Then,
you’ve got the super fucked side of people not being able to afford rent, celebrities being assholes, and
that fake façade. We wanted to do a heavy song with a Red Hot Chili Peppers-esque chorus. It’s an old
school vibe explored in a new way.”

Elsewhere, “We Own The Night” struts between stadium-size guitars and a visceral volley on the verses
punctuated by lines like, “If you fuckers want to die, fucking with Undead is like committing suicide.”

“It’s the quintessential Hollywood Undead song,” exclaims J-Dog. “It’s got that shit talking. There’s a
fresh vibe with the organ though. We were inspired by Hans Zimmer’s use of it in Interstellar, so we
added this cinematic element to the track.”

The airy and ominous “Bad Moon” explores “a fascination with the occult and fucked up things people
do at night,” while “Ghost Beach” represents another breakthrough as the first “HU song with all clean
vocals.”

“Your Life” closes Five with elegiac keys, jagged riffing, and an 808-boom propelled by edge-of-your-seat
raps and an undeniable plea, “It’s your life. It’s do or die.”

“We were shitfaced drinking in the rain under an awning on Wilcox Avenue in Hollywood at three in the
morning,” recalls J-Dog. “That’s how the chorus came about.”

“It’s true,” smiles Johnny 3 Tears. “I love when ideas come about organically. It’s personal, but it’s a
statement for everyone. It might be cliché to say, but it needs to be repeated: You can’t waste your
fucking time. It’s a self-affirmation. Every moment you waste worrying is a moment you could’ve been
done something that might actually have consequence by the day you die.”

Threading together this collage of metallic instrumentation, street corner poetry, and industrial haze,
the group tapped the mixing talents of Dan Lancaster [Bring Me The Horizon] for all 14 tracks, while
reteaming with longtime collaborators Griffin Boice and Sean Gould behind the board.

A decade on, the raw anger and passion that defined Hollywood Undead since day one is more
dangerous than ever before.

“A lot of guys who have been in bands a lot longer than we have say stupid shit like, ‘It’s just a paycheck
at this point,’ but that is so not the case—we still eat, breathe, and live Hollywood Undead,” J-Dog
leaves off. “We still write music as if it’s our first record, and we have to prove ourselves every single
time. This is our whole world. We appreciate how far we’ve come. We appreciate that we’ve gotten to
travel the world. We’re passionate about life, family, and shit we put our energy into. We’ll forever be
Hollywood Undead. It’ll always be ingrained in us. I think that’s why people connect to us. They know
it’s genuine.”

“Everything else in my life has come and gone at some point or another except for Hollywood Undead,”
concludes Johnny 3 Tears. “It’s much more than just a band. We had a fellowship long before we started writing music together. I’m just so happy the people I get to write music with happen to be my best
friends as well. It’s interesting because we’ve gone through so much in life together before Hollywood
Undead. Going through this experience, it’s much more than the band to me. I can’t imagine life without
it. Long after we stop someday, it’s going to be something I look back on and appreciate. Our fans make
us feel like we’re in the biggest group in the world. How much they care about the music inspires us to
never let them down. Five is for them.” – Rick Florino, July 2017
Butcher Babies
Butcher Babies
Faster than you can say heavy fucking metal, The Butcher Babies have
clawed their way to the top of the Hollywood music scene to become the
undisputed darlings of the Sunset Strip. Now, they are poised to take
on the rest of the world.

Fronted by Carla Harvey and Heidi Shepherd, and backed by Henry Flury
on lead guitar (Amen), Jason Klein on bass (Azdachao), and Chris
Warner on drums (Scars of Tomorrow), the Butcher Babies dish out
brutal grooves that attack the crowd during performances that play out
like a slaughter house carnival ride.

Rock Journalist Keith Valcourt recently hailed the Butcher Babies as
"The Hottest Band in the World" in his review of a show. "The Butcher
Babies deliver a loud crashing blend of heavy metal, punk and thrash
that recalls Pantera" notes Valcourt, adding "their stage show
embodies the horror antics of Alice Cooper and Rob Zombie. Carla and
Heidi don't merely sing: they assault the crowd with a blinding flash
of aggression and abuse. And the crowd loves them for it."

The perfect anti heroes for today's lackluster corporate music scene,
The Butcher Babies are answering the demand for a resurgence of the
days when going to a rock show was an event with their blistering
combination of theatrical presence and balls out metal.
Venue Information:
The Catalyst
1011 Pacific Avenue
Santa Cruz, CA, 95060
http://www.catalystclub.com/